- March 2014 · 272pages · 216x138mm
- ·Hardback - 9781783160174
- · eBook - pdf - 9781783160181
Demonstrating the timely relevance of Theodore Dreiser, Edith Wharton, Jack London and Henry Adams, this book shows how debates about evolution, identity, and a shifting world picture have uncanny parallels with the emerging global systems that shape our own lives. Tracing these systems’ take-off point in the early twentieth century through the lens of popular science journalism, John Bruni makes a valuable contribution to the study of how biopolitical control over life created boundaries among races, classes, genders and species. Rather than accept that these writers get their scientific ideas about evolution second-hand, filtered through a social Darwinist ideology, this study argues that they actively determine what evolution means. Furthermore, the book, examines the ecological concerns that naturalist narratives reflect – such as land and water use, waste management, and environmental pollution – previously unaddressed in a book-length study.
"By relating the evolution of living systems to the development of gender and national identities, Bruni addresses the multiple dimensions of biological kinship between humans and other animals. Scientific Americans demonstrates how American interpretations of evolutionary theory in the 20th century were influenced by popular images of the frontier as a preservation of “wild life.” Bruni does important work recovering the U. S. reception of the evolutionary discourses of scientific popularizers such as August Weisman and T. H. Huxley. Connecting those researches to seminal work in ecocriticism and animal studies by scholars such as Donna Haraway, Ursula Heise, Stacy Alaimo, and Cary Wolfe, Bruni offers an original assessment of Jack London’s novelistic use of animal characters to engage with scientific and political discourses. Scientific Americans brilliantly models for literature and science scholarship the interrogation of cultural assumptions about personal and social identity."
Bruce Clarke, Paul Whitfield Horn Professor of Literature and Science, Texas Tech University
Introduction 3 Chapter 1: Popular Science, Evolution and Global Information Management 15 I. Reconstructing the Social and Scientific 15 II. Scientific and Cultural Narratives of Expansion 21 III. Information and Control Systems 32 IV. Historicizing Science 36 Interlude: Chapter 2 39 Chapter 2: Dirty Naturalism and the Regime of Thermodynamic Self-Organization 43 I. Social Regulation and the Power of Art 43 II. Self-Organization and Energy Flows 57 III. Ecocriticism and Thermodynamics 63 IV. Social Work and Moral Parasites 68 Interlude: Chapter 3 76 Chapter 3: The Ecology of Empire 79 I. The Call of the Wild and the National Frontier 80 II. Wild Fang and the Ideology of Domestication 91 III. The Multiplicity of Animal Bodies 97 IV. Ghosts of American Citizens 105 V. Where to Draw the Line? Biological Kinship and Legal Discourse 114 Interlude: Chapter 4 117 Chapter 4 After the Flood: Performance and Nation 120 I. Managing Life 120 II. Business Morality and Western Water Policy 128 III. ‘Constitutional Restlessness’ and ‘Something Not Ourselves’ 131 IV. Systems of Art: Perception and Communication 143 V. Pure Fiction 149 Interlude: Chapter 5 152 Chapter 5: The Miseducation of Henry Adams: Fantasies of Race, Citizenship and Biological Dynamos 155 I. Evolution as Historical Process 156 II. Thermodynamics and Citizenship 163 III. The New American as Techno-Subject 170 IV. Beyond Evolution: Information, Control and Paranoia 178 V. ‘The Rule of Phase Applied to History’ 183 VI. ‘A Letter to American Teachers of History’ 186 Conclusion 195 I. Henry Adams: Ecocritic? 195 II. ‘Cyborg Politics’ and the Techno-Scientific Regime 202 III. The American System and Global Debt 207 IV. Biopolitics and Posthuman Life: The Call of Jack London 213