The Gothic Ideology argues that in order to modernize and secularize, the British Protestant imaginary needed an 'other' against which it could define itself as a culture and a nation with distinct boundaries. The 'Gothic ideology' is identified as an intense religious anxiety, produced by the aftershocks of the Protestant reformation, the Catholic Counter-Reformation, and the dynastic upheavals produced by both events in England, Germany, and France, and was played out in hundreds of Gothic texts published throughout Europe between the mid-eighteenth century and 1880. This book is the first to read the Gothic ideology through the historical context of both King Henry VIII's dissolution of the monasteries and the extensive French anti-clerical and pornographic works that were well-known to Horace Walpole and Matthew Lewis. The book argues that Gothic was thoroughly invested in a crude form of anti-Catholicism that fed lower class prejudices against the passage of a variety of Catholic Relief Acts that had been pending in Parliament since 1788 and finally passed in 1829.
Table of Contents List of Figures Acknowledgments Introduction Chapter One: Anti-Catholicism and the Gothic Ideology: Interlocking Discourse Networks Chapter Two: The Construction of the Gothic Nun: Fantasy and the Religious Imaginary Chapter Three: The Spectre of Theocracy: Mysterious Monks and "Priestcraft" Chapter Four: The Foreign Threat: Inquisitions, autos-da-fe, and Bloody Tribunals Chapter Five: Ruined Abbeys: Justifying Stolen Property and the Crusade against Superstition EPILOGUE: Penny Dreadfuls and the (Almost) Last Gasp of the Gothic